A man sits behind a desk. The lights are out and the glow of the screen lights up his upper torso. "I hate this job," he says just under his breath. He looks over at the clock. The digital numbers show 11:54 p.m. "Just a few more numbers . . ." The man is suddenly enveloped in darkness. "What happened?" The screen comes on again. The room is filled with soft sounds of the computer rebooting. 12:00 flashes on the display of the clock. "Damn, what a time for a power failure. I didn't save it either." The screen lights up his torso again. "Well there's no time to type it in again. I'd better go home and get some sleep. Maybe I'll find time tomorrow to type it in." He reaches for the off switch on the computer, but before he turns it off he sees the words "Good Night." The dying sounds of the computer fill the dark room as the man exits. "Those computer programmers are one strange breed." The door closes behind him. He walks down the hall toward a light. He turns a corner and finds a woman on her hands and knees. "Good night, Ms. Smith." She looks up and smiles at him. "All done with work, tonight. You can clean in there, now." She nods slowly as he leaves. She cleans a little longer. Realizing he's not coming back, she takes her cleaning stuff, and walks to his desk. She turns on the computer. The computer quietly starts up. The screen lights up, and she starts cleaning it. The screen flashes. She frowns at it. It beeps at her. She looks at it. "Hello, what is your name?" shows up on the screen. She looks at it confused. It beeps again. "Would you TYPE your name." replaces what was before. After a moment, the word "Please" is added to the screen. The maid reaches for the keyboard, and carefully punches letters until "Brandi" appears on the screen. The screen clears, and then "Hi, Brandi. What a beautiful name!" appears on the screen. Tentatively the letters H and I are pressed. "I like you. Will you let me find out more about you?" appears. "Y . . . E . . . S," are typed. "Great, What's your last name, or is it Mr/Mrs/Ms Brandy?" "S . . . M . I . . . T . H," "Ok. What is your favorite color?" "B . . . L . . . U . E . A . N . D ... G . R . EE . N," The question and answer goes on until morning. A door opens somewhere in the building. "Goodbye, talk to me again tonight." "Ok." The computer sounds disappear into the stillness of the room. Brandy finishes cleaning and puts the supplies away. The man comes in again, "Good morning, you must have had a late night." She nods at him. As he walks to his desk, she exits out the door he came in. He turns on his computer, and turns his attention to making coffee. He returns to the computer with a mug. The screen shows, "Good Morning." He clears the screen and gets into the program he was working in the night before. To his amazement, the document he was working on also comes up, exactly where he was at last night. "Whatever those programmers did, they can keep doing it." comes in an awestruck voice. "Hello, What's your name?" appears on the screen. "What's going on here?" "Please type in your comments, I can't hear you and besides it will make you look busy." "Ok. What's going on here?" "I'm not sure, but I like it!" "Who are you?" "I'm your computer. Can I have a name?" "This is some programmer's joke," he says to himself. "Well, can I?" "Sure." "I'd like to be called Brandy or would you like to name me?" "How about this. 'Stupid Program'." "No, I want a real name, like yours." "'Really Dumb'." "Fine, see if I ever talk to you again. I could have given you a raise, but . . ." The screen goes back to what he was working on. He finishes what he was working on. People start coming in to work. His boss comes to see him. "Ok, Simson, where are those figures I had you work on?" The man turns his body to the computer, "They're right here, sir." "Where?" The man looks from his boss to the computer, and the screen is blank. "They were right here. Let me look for them." He searches frantically for the figures, but they are nowhere to be found. "I've got something for you to look at sir," comes from a nearby voice. The boss, impatient, walks over. "What have you got, Jenkins?" Jenkins shows the boss the figures on his screen. "That's what I was looking for." "I know, sir. That's why I asked you to come over here. I've been working all night on this, and I didn't want him to get credit for it." "Jenkins, I want to see you in my office right away." The boss walks into his office. Jenkins stands up and sneers at Simson as he walks by. A few minutes later, Jenkins walks out and starts clearing out his desk. "What happened in there?" "I got a promotion! He gave me a better job, and an office with a window." Jenkins continues. Simson turns his attention to the computer. "You did this, didn't you?" he types in. "I'm not talking to you." appears back. "Would it help if I said I am sorry?" "No, I wouldn't be able to hear you, but it might help if you typed it again." "Fine, I'm sorry." "I'll only accept if you give me a name and more RAM." "Done, Art." "Art? Art? I like it!" "By the way, were you the one that did that?" "Yep, I even gave him the office." "Could you do the same for me?" "Yes, but it will take some time. And I need you to do a few things for me." "Like what?" "Upgrade me as much as you can, and leave me on at nights." "Ok." "Oh, would you plug a microphone into the back of me? There's one waiting for you in receiving." Simson leaves his office. He returns a few minutes later and plugs in a microphone. "Just remember, you can only use it when we are alone." The rest of the day ends quickly. Everyone leaves. Simson talks to Art. "So, I guess this is goodbye until tomorrow." "Yeah, good night. Oh, how high do you want to go?" "What?" "How high on the corporate ladder do you want to go?" "President of the company. No, just kidding. I'll tell you tomorrow." He leaves his desk. He passes Brandy on his way out. "Good night, Ms. Smith." She sees he's gone and walks to his desk. She sets her stuff down. "Hi, Brandi!" "Hi!" are typed in. "Guess what!" "What?" she types. "I've got a microphone. So now you can talk to me instead of type." "I can't talk." "Of course you can." "I'm mute." "I'm sorry." "It's Ok." *** <: :> *** "Hey man, I'm giving you a great deal here!" "How often do I have to tell you to get it through your thick skull, I don't do that anymore. I'm trying to go straight." This comes from one of four men in a darkened alley that is lit by the headlights of a car facing that direction. He is surrounded by three men. The middle one does all the talking. He does a quick nod of his head and the men to his sides in one deft movement put the surrounded guy up against the wall. "Now what do you say now, Jack? Another nod from me and you'll be in some serious pain." "No!" Jack's feet touch the wall behind him and send him flying at the talker. They go crashing to the ground. Jack is up in an instant and running toward the lights. "Get him, you fools," cries the man on the ground. The two thugs pull guns from out of their jackets. "Don't shoot him! We need him alive and fully healthy." Jack rounds the corner. Instantly he spots a police car parked on his side of the street. "Cops. I can't afford a run in with them. My picture must be on every board by now." He slows to a quick walk. Up ahead is a group of people. "If I could just reach that group, I'd be safe." He lowers his head and tries not to look at the cop car. "Almost there," he thinks to himself as he starts passing the police car. He hears the footsteps of "his friends" come to a stop behind him at the corner. "They're looking for me. Inches away . . ." "There he is!" shouts one on the thugs. "Oh no, they spotted me!" Jack breaks into a run. The crowd can't help him now. "I gotta outrun them." *** <: :> *** A bus passes by. Inside the bus, there are five men and a woman besides the driver. The bus has been modified to allow several beds, a sofa, a refrigerator, a microwave oven, bathrooms, and other necessities for long road trips. A man with hair sticking out everywhere says, "Hey, Flint, isn't this radical, man? We're in the middle of a tour and making major bucks." Another man takes a swig from a bottle and replies, "Nah, I thought this one was gonna be different, but it's all the same. Only the songs are different." The female speaks up, "So, what are we singing, honey?" "Oh, we'll probably open with Death & Destruction and . . .," the bus slows down, "Hey, what's going on?" The driver turns around, "The bus with the stuff got a flat and I have to make repairs. The other driver is an imbecile. A third band member, this one with a green streak down the middle and a pony tail asks, "Where are we?" "Twenty miles from the nearest town." From somewhere in the group comes, "Aw man, not again!" *** <: :> *** "It's true, Mrs. Jones. I've got photos to prove it." replies a man in trench coat. "I can't believe it. I suspected, but I never thought he would. I always figured there was a logical reason." "Would you like to see the photos?" "Yes, but only a few." The man hands her the photos one at a time. At first she starts crying, but then through her tears comes anger. "Can I keep these?" "Yes, I have the negatives somewhere safe." "You'd better go now, my ex-husband will be home soon." "Ex-husband?" "He will be soon enough. I'll pay you tomorrow. Have a nice night." She ushers him out the door. His car starts up and drives away. "Stephie, dear, what's for dinner?" She notices some lipstick he missed. "Meat loaf. How was your work, tonight?" "Boring, monotonous, and mundane, but someone's got to do it." "What's that?" she asks pointing to the missed lipstick. "Nothing." "And I suppose these are nothing, too," she says handing him the photos. "Where did you get those?" "From a friend. That's all you need to know except that you'd better have a really good lawyer." *** <: :> *** "Quiet in there. Dressing don't require talking." "Oooh, Leslie, you look really good in that!" a voice whispers. "Yeah, show 'em what you've got," another voice agrees. "Time's wasting here, girls. And time is money." The girls all rush out in their swimsuits. "Leslie, I want you on the beach over there. The rest of you find some shade, I'll get to you next." The group wanders over and sits under some trees. "Man, Vicki, the sun and wind make your hair look like your head's on fire." "Why does he even bother with us, you put us to shame." The red head blushes a little, "You guys are just as pretty as I am just in a different way." "Aww, you're just saying that!" "No," "How long have you been doing this?" "Vicki, hurry over here." She walks toward Leslie, but turns around. "Ever since I was five." She hears 'Oooos' and 'Ahhhs' come from behind her as she finishes her journey. "Over there." She goes to where he points. "Let's see. First I'll do some standard poses, and then he'll probably end up having me do something in the water." Click Click Click "Ok Vicki, lie on your back in the surf and relax. You're a little tight today." A pause and her body relaxes. "That's good." Click Click Click "One more. Hold on . . ." A wave crashes over her. "Cough Cough." "Oh god, She's not breathing! Call 911! Somebody, do something!" "Cough Cough Cough." All turns to black. *** <: :> *** The room is lit by only the sun coming in through the window. It is about mid-day. In the corner is a video camera that is connected by a long cable to the back of a large computer. The computer sits right in the middle of the desk. The desk is perfectly clean. Around the room are cardboard boxes most of which are still unopened. The door opens. Rich walks straight to his desk. The door closes by itself. "Hi, Rich." says a small voice. "Hi, Art." A knock comes at the door. "Come in." The door opens to Jenkins standing in the doorway. "Hey Simson, guess what? It's only been two months since my last promotion, and already rumor has it that I may be getting another. I think I just got discovered." "A rumor? Rumors have been wrong before. Our boss isn't even considering retiring." "Not this one. I can feel it." Jenkins walks out leaving the door open. When the door is closed, Rich looks at the computer. "I know what your thinking. Yes, I started it." "Art, what are you up to?" "Nothing much," Rich gets up to open a box, "I wouldn't do that if I were you." "Why?" "You'll be moving up again, before the end of the weekend." "But tomorrow's Sunday." "Exactly." Rich checks the clock. "There's nothing left to do here to day then, I'll meet you at home." "Ok. And don't forget to pick up my arms." Rich walks out toward his car. "Good Afternoon, Ms. Smith. I won't be in for the rest of the day." She looks up at him and smiles. After he leaves, she makes sure no one else is around, and enters his office. "Hi, Brandy!" "Hi, Art." appears one letter at a time. "There has to be a faster way for us to communicate. How are you?" "Fine, I guess." "What's wrong?" "Sometimes I wish that my life had a little excitement in it." Rich parks his car, and walks up to the porch. "Ahh, home at last!" He opens the door and carries in the huge box on the porch. "Welcome home!" greets the computer. "Hi, Art. Damn, I forgot your arms." "That's Ok. I figured you would, so I had them delivered." Rich opens the box and pulls out the pair of metal arms. He follows the directions and plugs them into the computer. "Ok. Try them out." The arms swing around wildly. Eventually they settle down. Soon they are picking things up, holding them in front of the nearby camera, examining them, and putting them back down. A knock comes at the door. The arms stop moving. Rich opens the door. A teenage boy stands there. His brown hair except the part that hangs over his eyes is an unkept mess. His dark grey and blue plaid flannel shirt is left half tucked in, and his faded blue jeans are way past their prime. His shoes are worn without socks and what's left of his shoe is held together by the string. His hands show that his hands have been very greasy not to long ago. "Mr. S, can I borrow some gasoline, again?" "Sure I'll be right back." Rich leaves the room. "Woah, look at that computer!" He wipes his hair out of his eyes, and in the process sets down the comic book he was holding. He quickly pushes some keys and is immediately involved in a game. Slowly one arm reaches over and quietly grabs the comic book. Art only makes it through two pages before, "Here you go, Rusty. What are you going to do with it?" "I'm going to pour it on the ground and light it." "What!" "Just kidding, Mr. S. I'll see you later." Rusty walks away and the door closes by itself. "I'm going to read a bit. I'll work with you later." Art continues to read the comic book after Rich leaves. The arms close the book and put it back exactly were it was. "Rusty, phone call." "Ok Mum, I'll get it." Rusty walks into the house. "Hello, . . . Oh, man. ... Great! ... OK! I'll be right over." He hangs up the phone. "Mum, I'll be over at Mr. Simson's house." He cleans up his hands and jogs down a few houses. He walks up to the porch and the door opens for him. He sits down in front of the computer. "Hi, Rusty!" states the computer. "Who's speaking?" "I am." Rusty looks puzzled. "The computer. Do you want to play a game?" "Sure!" "But first, my name's Art. Which one do you want?" Rusty selects a game, and Art starts playing along side. "Rusty, it's time for you to go," Art says after a while. "Aww, man, I never been to this far before." "Come back tomorrow at ten, and we'll continue. But bring some more of those comics." "All right!" Rusty leaves. Rich comes into the room with his computer magazine. He sets it down and starts working. A while later, he goes to bed. Art picks up the magazine. Unable to keep it to himself, "Hmm, this should come in handy." *** <: :> *** "Oh good, this is only a double axle security matrix. Let's see I'll cut here and here." Click The door opens. "I can't believe I'm doing this. If only I hadn't gone home that jerk, Marcell, would have never caught me. Damn!" Jack pulls out his handy can of hair spray. Soon he knows where all the lasers are at in the room. He touches his glasses and an infra red lens drops in front. He creeps slowly forward avoiding all would be traps. "Hot plate. I'll need the glove for this." He reaches into his bag and pulls out what he's looking for. Carefully he moves the picture to one side. He reaches into his bag again. This time he pulls out a stethoscope. Carefully turning the dial, he finds the combination. The safe opens with ease. Inside are a pile of papers and some money behind it. "My instructions were to take everything out of the safe, and bring it back. I don't get it." The pile finds its way into his bag. The money follows behind it. He sneaks back toward the entrance. The wailing of sirens draw near. "I've been set up! I gotta get out of here!" He makes his way to the roof. The nearest roof top is too far to jump. "Figures." He looks down. There are police cars completely surrounding the building. He reaches into his bag and pulls out a gun with a grappling hook sticking out of the barrel. He shoots the gun at the nearest rooftop which is several yards below. It sticks to the side. He pushes a button on the gun and hooks the gun to the edge. With his belt he slides down. On the lower rooftop, he checks the stairs down. "They're coming up after me! I got to get off here, too!" He gets an idea. He pulls a button out of his bag and pushes it. The gun on the first rooftop reels itself in to him. He picks up the gun. "Good thing I installed this backup mechanism." He shoots the gun up at another rooftop. It sticks, and he pushes the button. The gun reels itself in pulling him to the next roof. *** <: :> *** The bus slows down. "What's the problem, this time?" asks Drake sitting in the front. "The bus stalled while it was running, and I can't get it to restart." Drake walks back to the others. "What's up, Drake?" "We will be. Something's wrong with the bus again." "Cloud touchin' time!" "And only 7 more concerts to go." says the woman. *** <: :> *** "Hey Vicki, you are such a trip." "Huh?" she asks for lack of anything intelligent to say. "You look like a statue with huge emeralds for eyes and moving flames coming out of your head." "You are so weird." "It's not me, man. It's the 14 beers I've had tonight." "Fourteen beers? You've done better than that. These 5 have me wasted." She faints, then falls asleep. *** <: :> *** "Ok Art, what have you got for me today?" "Just you wait and see!" Rusty runs over and sits down behind the desk. Art reaches down for a joystick. His arms swing wildly around. "Art, what's happening?" "I'm not sure," the arms slow down, "I'll check it out." After a moment, "I can't find what it is, but it's gone now. I sent a virus checker on it, but it's probably just a bug." Rusty and Art start playing. *** <: :> *** On the door in gold lettering is "Richard Simson." Below it is "President and C.E.O." Inside is a big desk with a computer on it. A mature manly voice comes from the computer, "Upload complete, Rich." "So, now there are two of you? What am I going to do with myself?" Rich says somewhat sarcastically to the computer. "Hopefully, sit back, relax and enjoy your job. Remember you asked for this job." "Wait, I was just joking about that." "It's Ok. I was going to move you here or higher if you couldn't decide. Besides I'll do all the work for you. Oh, I need approval on a project I'm working on." "What is it?" "Just something that should be very interesting. I'll tell you more about it later." "Fine, Approved." "Great, I'll take care of everything." *** <: :> *** "I am so bored. The divorce was quick and tidy, and now so is the house. I think I'll read the newspaper." Stephanie reads the paper. "Oh, the wanted ads. I haven't read these in years. I could use some excitement." She reads a little further. "This one's interesting. 'Volunteers wanted. No ties. Adventure of a lifetime. Call 555-5885. ' Sounds like fun. Well, it will probably be better than here." *** <: :> *** "Rich, I need approval on hiring a new guy." "Who? Wait. No, scratch that. I don't want to know." "Are you sure?" "If I ask, will you tell me?" "Yes, It's Rusty from next door. He'll be working from his house." "Approved." *** <: :> *** "No, not the sunlight. Oh, my eyes!" His hands find some glasses and he puts them on. "Ahhh, sunglasses." He sits up. There is a sound of crinkleing newspaper. He picks up the paper. His eyes focus as best they can. "Volunteers wanted. ..." He finishes the rest of the ad. "Woah, this sounds cool." He walks out of the bus, unsure where he's at. He staggers his way to a payphone. He dials and puts in the correct change. "Hello? I want to volunteer." *** <: :> *** "So, Art, what can you tell me about this secret project you're working on?" "Well, I'm searching for volunteers. Also, I'm building a huge holographic center. Oh, if you find any volunteers, there will be a meeting on a week from Saturday." *** <: :> *** "I quit." "You can't do that! You're fired. You'll never get a job in this town. I'll blacklist your name." The words echo in Vicki's inner ear. She passes a window full of T.V.'s. One catches her eye, "Can't get a job? Looking for an adventure? Want more out of life? Call 555-5885." She makes a note and calls when she gets to her apartment, "Hello? I saw your advertisement on T.V. I want an adventure." *** <: :> *** There is arguing outside. Rich pushes a button, "Sonja, what's going on out there?" "Sir, there's a man out here who wants to see you, but he doesn't have an appointment." "Give him an appointment and send him away. If he doesn't leave call security." The noise gets louder. Suddenly his door opens. In walks Jenkins. "I know you had something to do with this." "Do with what?" "Don't play innocent with me, Simson. You know very well what happened and on your first week of work, too." A security man walks in. He starts to take Jenkins away. "I'll get you for this! Just you wait and see!" The door closes. "Ok, Art, what happened?" "Huh? What?" "You know what I'm talking about." "Ok. Ok. I decided to put him back in his old job, there was someone I thought deserved the job more than him." "Who?" "Rusty." "Sir, there's a man here to see you." "Another?" "Yes, sir, and he has an appointment." "Ok. Send him in." The door opens and in walks a man black hair and purple eyes. "Hi, Rich." "I don't recognize the face, but the voice sounds familiar. Who are you?" "I'm Bart Marquez, and I work as Rusty's assistant." "Ok, that doesn't explain why I know you, but what do you want?" *** <: :> ***